TREATMENT
Runes
Abigail Harris, Molly McCurdy, Tanisha Eyre - Date of Broadcast: 12/06/15
Runes
Abigail Harris, Molly McCurdy, Tanisha Eyre - Date of Broadcast: 12/06/15
Roles
AH - Director
MM - Actor
TA - Cameraperson
The Brief
AH - Director
MM - Actor
TA - Cameraperson
The Brief
We are aiming to produce a horror/thriller film trailer in
the style of warp.
Target Audience
We intend to challenge the stereotype of the generic horror
audience by targeting both female and male viewers. Our trailer will be aimed
at an ABC1 audience, ages eighteen and over meaning a young adult demographic.
Segment Synopsis and how it Relates to the Brief
The title of our film will be ‘Runes’; this is because the
main icon within the film is a ring that has protective runes engraved within
it. The film starts off with a girl buying a ring at a car boot sale/charity
shop etc.. As she is going about her daily life she begins to notice tragic
things happen to her close friends and family. The tragedies that happen start
off minor such as pets dying/ burglaries but gradually begin to increase in
severity to things like house fires, car crashes and most importantly
supernatural occurrences. These events spur the protagonist into vowing to find
the source of these problems which turns out to be the ring: the runes on it
give her protection preventing anything from harming her directly. However an
unknown figure is determined to regain this ring; as they cannot cause harm to
the protagonist they do horrific things leaving everyone around her in mortal
danger.
Key Milestones
• 20th
March - Pre-production planning
• 30th
March onwards: Filming
• 13 April
- Editing
• 5th
June - Final submission
• 12th
June – Launch
Equipment
Cameras, tripods, lights, microphone (on camera).
Props and Models
Props - the ring,
Models - Molly McCurdy - protagonist
- Eleanor Smith - antagonist
-
Models - Molly McCurdy - protagonist
- Eleanor Smith - antagonist
-
Health and Safety Considerations
We will make sure we have phones with the contact of college
on them, in case anything goes wrong i.e. an accident.
Make sure equipment doesn’t overheat and is in suitable
cases ensuring no damage.
For each location that we film in as part of out trailer we
will complete a risk assessment and a recce form.
Not leave bags or equipment in walkways or on set to prevent
anyone from tripping over them.
Make sure suitable footwear is worn in the woods in wet
conditions in case of slipping.
Legal and Ethical Considerations
Our film trailer will follow the rules and regulations of
the British Board of Film Classification. As out film trailer will be
certificated as a 15, it will be able to include the following; strong
violence, strong language, portrayals of sexual activity, strong verbal
references to sex, sexual nudity, brief scenes of sexual violence, or verbal
references to sexual violence, discriminatory language or behaviour and drug
taking. However we will not include all of these within our film, as they do
not all fit in with our narrative. We are planning to use strong violence in
the trailer and strong language in the full-length film. We will be following the OFCOM legislations
and the particular sections that apply to our trailer are:
1.1 Material that might seriously impair the physical,
mental or moral development of people under eighteen must not be broadcast.
1.2 In the provision of services, broadcasters must take all
reasonable steps to protect people under eighteen. For television services,
this is in addition to their obligations resulting from the Audiovisual Media
Services Directive (in particular, Article 27, see Appendix 2).
1.4 Television broadcasters must observe the watershed.
1.6 The transition to more adult material must not be unduly
abrupt at the watershed (in the case of television) or after the time when
children are particularly likely to be listening (in the case of radio). For
television, the strongest material should appear later in the schedule.
1.11 Violence, its after-effects and descriptions of
violence, whether verbal or physical, must be appropriately limited in
programmes broadcast before the watershed (in the case of television) or when
children are particularly likely to be listening (in the case of radio) and
must also be justified by the context.
1.12 Violence, whether verbal or physical, that is easily
imitable by children in a manner that is harmful or dangerous:
must not be featured in programmes made primarily for
children unless there is strong editorial justification;
must not be broadcast before the watershed (in the case of
television) or when children are particularly likely to be listening (in the
case of radio), unless there is editorial justification.
1.13 Dangerous behaviour, or the portrayal of dangerous
behaviour, that is likely to be easily imitable by children in a manner that is
harmful:
must not be featured in programmes made primarily for
children unless there is strong editorial justification;
must not be broadcast before the watershed (in the case of
television) or when children are particularly likely to be listening (in the
case of radio), unless there is editorial justification.
1.27 Demonstrations of exorcisms, occult practices and the
paranormal (which purport to be real), must not be shown before the watershed
(in the case of television) or when children are particularly likely to be
listening (in the case of radio). Paranormal practices which are for
entertainment purposes must not be broadcast when significant numbers of
children may be expected to be watching, or are particularly likely to be
listening. (This rule does not apply to drama, film or comedy.)(See Rules 2.6
to 2.8 in Section Two: Harm and Offence and Rule 4.7 in Section Four:
Religion.)
1.28 Due care must be taken over the physical and emotional
welfare and the dignity of people under eighteen who take part or are otherwise
involved in programmes. This is irrespective of any consent given by the
participant or by a parent, guardian or other person over the age of eighteen
in loco parentis.
1.29 People under eighteen must not be caused unnecessary
distress or anxiety by their involvement in programmes or by the broadcast of
those programmes.
2.6 Demonstrations of exorcism, the occult, the paranormal,
divination, or practices related to any of these that purport to be real (as
opposed to entertainment) must be treated with due objectivity. (See Rule 1.27
in Section One: Protecting the Under-Eighteens, concerning scheduling
restrictions.)
2.7 If a demonstration of exorcism, the occult, the
paranormal, divination, or practices related to any of these is for
entertainment purposes, this must be made clear to viewers and listeners.
2.8 Demonstrations of exorcism, the occult, the paranormal,
divination, or practices related to any of these (whether such demonstrations
purport to be real or are for entertainment purposes) must not contain
life-changing advice directed at individuals. (Religious programmes are exempt
from this rule but must, in any event, comply with the provisions in Section
Four: Religion. Films, dramas and fiction generally are not bound by this
rule.)
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